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Albrecht Altdorfer Sebastiansaltar des Augustiner Chorherrenstifts St oil painting


Sebastiansaltar des Augustiner Chorherrenstifts St
Painting ID::  82672
Albrecht Altdorfer
Sebastiansaltar des Augustiner Chorherrenstifts St
English: c. 1509-1516 Medium Oil on wood Dimensions 128,5 x 94,3 cm cyf

   
   
     

Albrecht Altdorfer Maria in der Glorie oil painting


Maria in der Glorie
Painting ID::  82704
Albrecht Altdorfer
Maria in der Glorie
1522-1526 Medium Oil on wood Dimensions 65,7 x 42,9 cm cyf

   
   
     

Albrecht Altdorfer Susanna im Bade oil painting


Susanna im Bade
Painting ID::  82735
Albrecht Altdorfer
Susanna im Bade
1526 Medium Oil on panel cyf

   
   
     

Albrecht Altdorfer Loth and his Daughters oil painting


Loth and his Daughters
Painting ID::  82802
Albrecht Altdorfer
Loth and his Daughters
1537(1537) Medium Oil on linden cyf

   
   
     

Albrecht Altdorfer Ruhe auf der Flucht oil painting


Ruhe auf der Flucht
Painting ID::  83015
Albrecht Altdorfer
Ruhe auf der Flucht
1510(1510) Medium Oil on wood Dimensions 58,2 x 39,2 cm cyf

   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

     Related Artists::.
     | Gourlay Steell | SAVOLDO, Giovanni Girolamo | Henry Fuseli |


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